Sales for an Average Author
Who are the big traditional publishing companies anyway?
Picador.
TOR.
Farrar, Straus & Giroux.
Henry Holt and Company.
These are a few of the companies that authors dream of breaking into. Or so they say. But the real question is why? Why do authors long so much to have their books published with traditional companies when according to Tom Dark, a literary agent with Heacock Literary, the "overall industry profits last year were .03% and the average author sold 500 books at a 7% royalty." (He also states that "returns are unprecedented and alarming.")
How many authors at Wheatmark have sold 500 books ? Twelve percent! A good question, then, for any author choosing an independent publisher would be this: "What percentage of your clients have sold over five hundred books?" Most of them will dodge the question or try to distract you with the number of clients they've signed up over the years, but what does it matter if a company has signed up fifty-thousand authors or eighty-thousand authors if less than 1% of those authors haven't even sold five hundred books? In other words, why would an author sign up with a company that had a poor history of sales?
Be wary of a self-publishing company that boasts quantity while ignoring the issue quality.
Picador.
TOR.
Farrar, Straus & Giroux.
Henry Holt and Company.
These are a few of the companies that authors dream of breaking into. Or so they say. But the real question is why? Why do authors long so much to have their books published with traditional companies when according to Tom Dark, a literary agent with Heacock Literary, the "overall industry profits last year were .03% and the average author sold 500 books at a 7% royalty." (He also states that "returns are unprecedented and alarming.")
How many authors at Wheatmark have sold 500 books ? Twelve percent! A good question, then, for any author choosing an independent publisher would be this: "What percentage of your clients have sold over five hundred books?" Most of them will dodge the question or try to distract you with the number of clients they've signed up over the years, but what does it matter if a company has signed up fifty-thousand authors or eighty-thousand authors if less than 1% of those authors haven't even sold five hundred books? In other words, why would an author sign up with a company that had a poor history of sales?
Be wary of a self-publishing company that boasts quantity while ignoring the issue quality.
Labels: traditional publishing

